A review of Woodplayers’ ‘A Streetcar Named Desire’ by Sarah Kelly

Tennessee Williams’ A Streetcar Named Desire is widely regarded to be one of the best written, and most influential, plays of the twentieth century, blending lyrical dialogue with expressionistic stage direction to create truly embodied, multi-faceted characters and relationships. Woodplayers’ recent production, directed by Lily Gilchrist, and assisted by Jaspinder Kaur, brought this to life fantastically: the directorial vision was thoughtful and […]

A review of DUCT’s ‘Doctor Faustus’ by Sarah Kelly

Sarah Kelly reviews Durham University Classical Theatre’s recent production of Christopher Marlowe’s ‘Doctor Faustus’.

The rise (and fall!) of Pookie, and TikTok’s fickle nature

‘Anything Goes’ review by Niamh Williams

‘Vital part of the ecosystem of the North East’: Ruth Mary Johnson, Charlotte Small, and Rebecca Glendenning-Laycock on Alphabetti Theatre, and authentically accessible theatre creation