Iolanthe: A Review

Isabelle Bylett reviews Durham Opera Ensemble’s production of Iolanthe, an impressive and engaging operetta filled with light-hearted farce and satire.

Maariya Khalid’s ‘Sick Dog’: A review by Emily Sanderson

Maariya Khalid’s ‘Sick Dog’, directed by Billie Switonski interrogates the increasing concern over AI in today’s society with nuance and sensitivity. The play follows the story of Winnie, a miserable and dying young woman, and her ‘top-model AI companion-carer’, Eliza, who looks after her, and asks us if AI can simulate a real human connection, […]

A review of Woodplayers’ ‘A Streetcar Named Desire’ by Sarah Kelly

A review of the Finalist’s Showcase by Pearl D’souza

‘February Story’ review

‘Pride and Prejudice’: A review

‘Crazy for You’ review by Emily Sanderson

A review of Pitch Production’s ‘White Liars and Black Comedy’

Is the pantomime still relevant in modern theatre?

A review of DUCT’s ‘Doctor Faustus’ by Sarah Kelly