For a few decades now, overly experimental theatre has discouraged regular people from going to the theatre at all, as we tend to consider it too elitist or even snobbish. Post-modernism, the movement that has been around since the late 20th century, is partly responsible for this bad reputation, but is it justified?
Magali O’Brien explores how Jo March’s narrative in ‘Little Women’ reflects the real life experiences of many aromantic people.